lighting/camera movement, a focus on what is in the frame rather than how it’s being presented mise en scene to send messages to the audience filmed at different times in reality e.g. Vsevolod Podovkin: Soviet film-maker, who created the continuity principle: the idea that you can make things seem like they are happening continually even if they are not practically i.e. Sergei Eisenstein: Another Soviet film-maker who came up with a collision theory: similar to the Kuleshov effect which is the idea that you can juxtapose 2 unrelated images to create a new message, intellectual montage Orson Welles: Welles made ‘Citizen Kane’ while in his mid 20s, a mixture of techniques from the silent era (realism) and Classic film-making techniques of the time (expressionism), he made a film which contained constructed elements yet used deep focus and mise en scene to show the audience everything. Kino-Eye’s new experimental work aims to create a truly international film-language, absolute writing in film, and the complete separation of cinema from theater and literature.” – essentially saying he wanted to create a film with nothing constructed, no actors or pre-produced scripts, to attempt to make a film accessible to everyone no matter what. Vertov stated: “The Man with a Movie Camera constitutes an experiment in the cinematic transmission of visual phenomena without the aid of intertitles (a film with no intertitles), script (a film with no script), theater (a film with neither actors nor sets). Soviet montage and types of soviet montage defined below in other section.Īndré Basin: one of the originators of the realism/ expressionism debate, made the argument that cinema should commit to representing the real world.ĭziga Vertov: A soviet documentary film-maker, made the film ‘Man with a movie camera’, attempted to use shots to portray real life. Propaganda: a biased representation of an ideologyĬlassicism (classic film form that we commonly know): a mixture of both realism and expressionism techniques, expressionist cinema that is designed to appear real, the classic Hollywood technique in modern times. Verisimilitude: a piece of art maintaining the world rules it sets and not going against them, allowing the audience to suspend their disbelief and buy into what they’re watching, usually the case in realist films Social realism: presenting people on film the way they are in real life, for example, in Ken Loach films such as ‘I, Daniel Blake’ Realism: an accurate portrayal of the real world (broadly)Įxpressionism: a heightened version of reality which is presented, a focus on how it is presented rather than what is being presented (broadly)
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